See results Writing Prompts - 1 to 20 It is a zombie apocalypse. You have to sacrifice three of "your" people to survive.
Writing The Zombie Novel: Lessons on Craft December 9, by Craig DiLouie 11 Comments As a writer of fantastic fiction, I love placing a layer of the extraordinary on our everyday world and imagining the consequences. The result ideally is a story that is believable, that scares and excites the reader, and, with the stakes being the survival of the human race or at least civilization as we know it, is stirring to the spirit as well as the intellect.
Somebody once asked horror author David Moody on Facebook for some advice on writing a zombie novel. Moody advised him to go to a crowded public place, picture something terrible happening, and then imagine how everyone would react.
Suddenly, everyone seems to be going crazy and killing people, and Danny and his family do not know who is going to turn next—it could be one of them, in fact. HATER has it all.
I constantly read books in the genre and other genres as well. Not only do I want to see what other people are writing, I learn something from every book I read regarding style, voice, pacing, plotting, characterization, action, etc.
Jeff Long taught me about horror, Jonathan Maberry about how to keep a story moving, Conrad Williams about putting grit into your realism, Jeff Carlson about conflict, David Moody about people responding realistically to stress, and so on: The list is endless.
Writers are always writing. But note that writing does not necessarily mean typing. I carry around a pen and small notebook in my back pocket at all times. When something good comes to mind, I write it down.
Over time, these notebooks feed the outline, and ultimately the novel itself. Conflict drives a story. The more central rule of creating writing is that conflict is interesting—conflict between people, between people and themselves, between people and zombies, between people and their environment.
In a typical storyline, of course, this looks like: Establish the normal, introduce the element that upsets the normal, and then establish the new normal. Michael Crichton had a gift for layering multiple conflicts on top of each other.
Conflict, however, should never be contrived. While Romero was pioneering, today that kind of thing should be avoided in zombie fiction. Lori and Shane have a conflict in that Shane is in love with her.
Rick and Shane have a great conflict in that Shane wants to do whatever is necessary to survive, while Rick wants to do the right thing to have something to live for, even if it risks survival. Avoid villains that are bad seemingly for the sake of being bad. The best conflicts are between real people who simply want different things.
Suppose we have a group of survivors, and one of them is wounded and needs help. They get to a hospital, where they think they can find supplies, and get shot at by a sniper firing out of one of the windows. They return fire, and a stalemate ensues during which time the survivors parley with the sniper and the wounded survivor continues to weaken.
We find out that the sniper is actually a doctor who is protecting a group of sick children that he was treating before the apocalypse, and is still trying to keep alive.
Now our empathy is torn as the reader. Who do we want to win? The reader should at this point want them to negotiate and work it out.
Can these people trust each other? Suppose the doctor dies. Suppose the survivor dies. Write your fears, not your desires, into the apocalypse.We found out recently that if you try to leave a little kid in a graveyard late at night, he'll freak out.
Even if you offer to leave him a gun to protect himself. Survive Another Day: Prequel (Dangerous Days - A Zombie Apocalypse Survival Thriller Book 0) - Kindle edition by Baileigh Higgins. Download it once and read it on your Kindle device, PC, phones or tablets. Use features like bookmarks, note taking and highlighting while reading Survive Another Day: Prequel (Dangerous Days - A Zombie Apocalypse Survival Thriller Book 0).
Jul 25, · Best Answer: A zombie story is fictional, but make it as realistic as possible. Be prepared to have several of your main characters die during the story, mix it up.
Do things that mainstream zombie movies wouldn't do. Make sure you don't have your characters blasting through a Status: Resolved. Read How to write a ZOMBIE APOCALYPSE from the story Yuffie's Writing How-To's by YuffieProductions with 8, reads.(or any kind of apocalypse situation) But Reviews: With all of the strange news lately – cannibalism, raged-out people throwing intestines and chewing attacks, the media is alive with talk of the coming zombie apocalypse.
This has moved the zombie apocalypse prediction date very close, less than a year out. Usually, this much zombie activity on the Internet happens only as Halloween nears. The Complete Edition is a new recording of Max Brooks’ bestselling novel, World War Z: An Oral History of the Zombie War, featuring 21 additional Hollywood A-list actors and sci-fi fan favorites performing stories not included in the original grupobittia.com narrators include Academy Award®-winning director, Martin Scorsese, Spiderman star Alfred Molina, The Walking Dead creator Frank Darabont.