It argued that to have acute and heightened feelings was a sign of superior character. The cult of sensibility led to the sentimental novel, in which the hero is preoccupied with his or her sufferings in love and other emotions.
The sidebar information is for that edition. I, like just about everyone educated in English, previously read a Jane Austen novel Pride and Prejudice in my case and I suspect many cases as assigned reading in school. I found it surprisingly enjoyable and always intended to go back and read more, but then never made the time to do it until now.
It won't take me as long to get to the next one. Despite not being quite at the level of Pride and Prejudice Sense and Sensibility is a delightful book. Elinor is the eldest of three daughters. She opens the book living at her family estate with her mother, an estate which has just been inherited by her half-brother.
The means by which the estate fell into the hands of that half-brother are somewhat elaborate and an early introduction to the careful attention to money, property, and inheritance that's typical of Austen.
Suffice it to say that he is rather excessively focused on wealth, and his wife is even worse. In short order, the Dashwood girls and their mother are displaced, with very little of the family money, but Sense vs sensibility essay find a place in a cottage well, an Austen sort of cottage, which apparently has at least four bedrooms and multiple sitting rooms on the property of Sir John Middleton.
It's there that much of the book takes place. The title of the book, and most of its tone, derive from the contrast between Elinor's character and that of her mother and younger sister.
Elinor is the sense of the book: She is being slowly courted by Edward Ferrars, but that situation is tricky because she has little money and Edward's mother is determined that he marry someone of a higher station. Her sister Marianne and her mother are the opposite: The youngest sister is too young for romance, gets about five lines in the entire book, and for the most part isn't present.
Marianne will soon fall desperately in love, various complications will arise in part due to unwillingness to heed Elinor's reasonable advice, Elinor's romantic situation will become unbearably complicated, and by the end there will be hidden pasts, dramatic love, and drama galore.
This book was written inand while that's not far enough back to pose any significant challenges to reading, it is far enough back that the style feels very strange to the modern reader.
Austen is, for her time, a fairly concise author, but that's not saying much. If one has previously been reading modern fiction, the style feels extremely elliptical at the start.
Jennings was a widow, with an ample jointure. She had only two daughters, both of whom she had lived to see respectably married, and she had now therefore nothing to do but to marry all the rest of the world.
In the promotion of this object she was zealously active, as far as her ability reached; and missed no opportunity of projecting weddings among all the young people of her acquaintance.
She was remarkably quick in the discovery of attachments, and had enjoyed the advantage of raising the blushes and the vanity of many a young lady by insinuations of her power over such a young man; and this kind of discermnent enabled her soon after her arrival at Barton decisively to proclaim that Colonel Brandon was very much in love with Marianne Dashwood.
This is typical for the book, even in dialogue. Reading that, you may notice that some of the wording and punctuation feels just a little odd. Austen uses some prepostions and some word structure differently than feels "natural" today.
But you may also notice that it has a certain headlong flow and a habit of sneakly dropping revelations into the middle of paragraphs. I found that, once I got past the first few pages, I could barely put it down. The other delightful thing about Austen is that the narrator is wonderfully snarky.
The narrator always seems to be taking the side of whoever she's describing, shifting viewpoints in third-person omniscient and even changing styles of expression to suit the focus character, putting him or her apparently in the best light. But underneath there are often little digs, little twists, little moments of irony where you can see that the intended meaning is the opposite of the apparent description.
In this book, that's often in the form of describing some trait in a way that shows that the person carries it to stunning extremes.CALL RANDY AT Home; Properties. Featured Properties; Property Search; Receive Email Alerts; Property Organizer. Let us write or edit the essay on your topic "Pride and Prejudice and Sense and Sensibility: A Critical Analysis" with a personal 20% discount.
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LitCharts assigns a color and icon to each theme in Sense and Sensibility, which you can use to track the themes throughout the work.
Fredericksen, Erik. "Sense and Sensibility Themes." LitCharts.
LitCharts LLC, 3 Mar Web. 23 Nov Fredericksen, Erik. "Sense and Sensibility Themes.